In Ma Vlast it is the breath, the flow, the overall coherence of the cycle precisely that are impressive […]. In Sarka everything consolidates to create a fascinating tension and generosity.
The rendering of each section is remarkable, as well as the purity of the rhythmic pulse and its variations. Full and bold, even heroic in Sarka and Blanik of course, Steinberg knows how to create moods, restrain the orchestra in order to give more emphasis to the poetic breath, and obtain attacks and phrasing from the woodwinds that ultimately create a contagious enthusiasm.
A renowned Wagnerian, he establishes with rare exactitude this particular sense of movement and expectation that evokes the creator of Bayreuth.
Memorable moment full of expression and depth, far away from the more and more superficial and indulgent renderings of the great repertoire heard nowadays.
Translated from RÉMY LOUIS, DIAPASON