Steinberg’s dramatic interpretation was full of pathos and expressiveness. Steinberg kept the tension even in some of Beethoven’s weaker points in the composition, it was impressive.
In Schumann’s 2nd symphony Steinberg’s strong expressive temperament and interpretative skills came once again to the fore in each movement, the agitated 1st and 4th movements, the rapid Scherzo and a very poetic Adagio. All this resulted in excellent playing by the Santa Cecilia Orchestra.
translated from LUIGI BELLINGARDI, CORRIERE DELLA SERA, 23 MARCH 2009